Whenever the subject of great filmmakers of the past thirty years comes up, one name that is rarely mentioned despite a solid body of work is Ben Stiller, someone who is undeniably familiar to the majority of us, but who barely receives the attention he deserves for his forays behind the camera, at least not…
Tag: comedy
Stan & Ollie (2018)
There are few experiences more delightful than seeing comedic teams in their element, and the history of cinema is littered with many examples of duos or troupes that collaborated consistently over the years, becoming synonymous with their respective eras and how comedy was performed and consumed at that particular point in the past, something that…
The Cameraman (1928)
As a general rule of thumb, when assessing the legacy of someone within the film industry, we can usually divide them into those who worked for their place in history, and those who were shoehorned into it as a result of some forced act of popularity. In many cases, we find that some of the…
In God We Tru$t (1980)
Nothing has been simultaneously more beneficial and harmful to the growth of humanity than money – our voyage from bartering systems in the early days of civilization to the present day has been fascinating, and we have seen many revolutions emerge, both literal and figurative, over the way money is used within society, and it…
Coup de Chance (2023)
There was a time when life had a few certainties – the sun would rise in the morning, the tide would flow in and out, and Woody Allen would release a film almost every year, like clockwork. For reasons that are quite obvious surrounding his personal life, the latter has essentially ceased, and in the…
The Werewolf of Washington (1973)
Some satire tends to be quite subtle, while others veer towards presenting their intentions and themes so aggressively, we have to admire the gall. In the case of The Werewolf of Washington, we find that the latter is the preferred modus operandi of director Milton Moses Ginsberg (a little-known editor whose only other endeavour into…
One of Them Days (2025)
They say friends are the family we choose – and just like family, they have a tendency to get on our nerves from time to time, as is the case with any kind of relationship, with the most meaningful usually being those that are built from a combination of love and frustration. This idea is…
Timestalker (2024)
Originality is such a valuable commodity in contemporary cinema, particularly because it seems so elusive – it has always seemed slightly unnerving the degree to which the industry relies on existing properties rather than embracing the potential of discovering some new, untrodden artistic concept or style. Yet, there are still some filmmakers who are firm…
The Second Act (2024)
While his work is divisive to the point where calling them an acquired taste would be enormously generous, it’s impossible to deny that Quentin Dupieux (otherwise known as Mr Oizo in some circles) is a filmmaker who has grown into one of the unique artistic visionaries of his generation and has continuously worked to redefine…
To Be or Not to Be (1983)
Perfection is impossible to replicate, but there is the possibility of producing something close enough to an approximation that we can at least be thoroughly entertained. As far as comedy goes, there are few films more flawless than Ernst Lubitsch’s masterful To Be or Not to Be, one of an elite group of films that…
The Postmodern Pelican 