When it comes to the intersections between camp and horror, very few names have defined it as much as William Castle, a filmmaker of such a singular vision, it’s impossible to not equate his work with the entire concept of the most bombastic kind of horror imaginable. In a long career peppered with some magnificent…
Category: Horror
The Wolf of Snow Hollow (2020)
Snow Hollow is a small, quiet town somewhere in Utah known only for functioning as a popular ski destination for amateurs and professionals alike. There isn’t much to see there otherwise – the people are friendly, the food is hearty and the atmosphere is one of warmth and welcome. This is until there is a…
Psycho (1960)
When it comes to cinema, we all have special memories about certain films. Anyone who has ever found solace in the warm embrace of filmmaking will doubtlessly hold some strong feelings towards particular works, which normally evoke some kind of reaction from them. However, there are some films that are memorable not only for their…
Eyes Without a Face (1960)
It’s been well-documented that, prior to the late 1950s, horror cinema wasn’t really a prominent area being explored in French filmmaking, especially those that were more focused on more contemporary or alternative stories. One director who contributed his own voice to this disparity with Georges Franju, who I’ve grown to have enormous respect for, even…
Extra Ordinary (2020)
Somewhere in working-class Ireland resides Rose (Maeve Higgins), a quiet young woman who runs a small driving school, being a valuable but otherwise forgettable member of the local community. However, this hasn’t always been her life – prior to settling into this banal but comfortable existence, Rose worked with her father (Risteárd Cooper), a celebrated…
The Innocents (1961)
When it comes to canonical horror films, there are some that carry the reputation of being so scary, it becomes an unnecessary burden on them, resulting in the experience of actually seeing them occasionally feeling like a disappointment. One film that this certainly does not apply to is Jack Clayton’s masterful The Innocents, a film…
Shadow of the Vampire (2000)
In the canon of great horror films, everything can essentially be traced back to the German Expressionist movement, particularly those helmed by directors who used the burgeoning artform as a platform for their own psychological curiosities, most notably in how they utilized a unique blend of visual style and narrative. Perhaps the most iconic film…
Mother Joan of the Angels (1961)
What is there to say about Mother Joan of the Angels (Polish: Matka Joanna od Aniołów), other than perhaps the fact that this is one of the few works that could legitimately lay claim to being the scariest films ever made? Jerzy Kawalerowicz somehow managed to construct an unhinged religious drama that dives deep into…
Carnival of Souls (1962)
After a misguided attempt at drag racing results in a fatal car accident, the only survivor is Mary (Candace Hilligoss), a young woman who manages to find her way out of the wreckage without so much as a scratch – although she isn’t quite sure herself how she managed to survive. She has grown disillusioned…
Amulet (2020)
Tomaz (Alec Secăreanu) is a man of indeterminate origins who currently lives in a homeless shelter somewhere in London, and during the day works as a manual labourer, never staying under the employment for one person for too long, which suits him perfectly well. His exact roots are unknown, but he is haunted by memories…