The Browning Version (1951)

The Browning Version is a text written for everyone who has regrets, especially those relating to never putting in the effort to fit in. Terence Ratigan’s fascinating drama has been celebrated for its raw understanding of the human condition, as facilitated through the story of an ailing schoolteacher who realizes in his final days before…

All or Nothing (2002)

No one captures the human condition quite like Mike Leigh – regardless of whether we’re looking at his days as one of the pioneers of the “angry young men” movement that branched off from kitchen-sink realism, or his ascent to become one of the elder statesmen of British cinema, there has always been a fiery…

Early Summer (1951)

After having seen several of his films, it’s not surprising if viewers start to find the work of Yasujirō Ozu blurring together. This isn’t nearly as disparaging as it sounds – as a filmmaker who often stuck to the same set of thematic principles, and a particular directorial approach, Ozu’s films are distinct and similar…

Talk to Her (2002)

Only someone as gifted and precise in his vision as Pedro Almodóvar could make a film like Talk to Her (Spanish: Hable con ella), and not have the final result be an overwrought and vaguely perverse bundle of bizarre scenarios. Not only did he successfully tell a story that would be considered grotesque in the…

Belfast (2021)

Growing up is difficult already, so having the constant threat of inter-faith violence lingering over your quaint Irish neighbourhood is not the most pleasant experience for a young boy trying to make his way through a world he has barely begun to understand. This is the starting-point for Kenneth Branagh’s Belfast (quite literally, with the…

Drive My Car (2021)

From a contemporary cinematic perspective, there are few artists quite as interesting as Ryûsuke Hamaguchi, who has steadily found his status growing in esteem, moving from the director of films like Happy Hour (more known for its intimidating running time than it is for the contents of those five hours of stunning filmmaking) and Asako…

The Slender Thread (1965)

Art loves a crisis. There’s something about a person (or several) being in peril that inherently fascinates us and keeps us coming back, especially when it is in relation to the movies – from horror to action, comedy to melodrama, people facing adversity is the foundation of the film industry in one way or the…

The River (1951)

Jean Renoir is one of a few artists who can easily lay claim to being one of the finest filmmakers of any generation – his work stretched across the decades, and saw the director tackle every conceivable side of society through his elegant, fascinating works. One of his most interesting qualities was his ability to…

Inside Daisy Clover (1965)

As they say, there’s no business like showbusiness – and no one will remind you of this fact faster than those working within the entertainment industry, whether for better or worse. Hollywood has had a preoccupation with telling stories about itself on numerous occasions, almost from the time it came into being – and over…

Three Months (2022)

When it comes to looking at a film about important issues, we have to make a difficult decision in our adjudication – can subpar writing be redeemed through good intentions? This is a question we often have to ask, with the general consensus depending on both how effective the supposedly poorer writing is in contrast…