The World of Apu (অপুর সংসার)is less of a film, and more of the end of a journey – and as we can all undeniably attest, sometimes the destination isn’t the part we look forward to, but the methods of getting there. The concluding chapter in Satyajit Ray’s masterful The Apu Trilogy is quite simply…
Author: The Postmodern Pelican
Saint Maud (2020)
One of the more unfortunate cases of marketing getting a film entirely wrong comes in the form of the promotion for Saint Maud, the long-anticipated directorial debut from Rose Glass, which has been gestating in various forms since late 2019, and constantly delayed from being released due to unforeseen worldwide circumstances that kept it from…
Aparajito (1956)
The second film in a trilogy is in a strange position, particularly when we’re considering a series of films that has been intentionally designed to be told over multiple entries (rather than the tendency for the industry to try and capitalize on major successes by commissioning sequels after the fact). In many ways, the film…
The Bacchus Lady (2016)
In the tranquil parks and plazas of Seoul reside a small group of elderly women who spend their days patiently waiting to sell bottles of Bacchus-F, a popular energy drink, to a variety of men who come their way. In reality, these beverages serve to be a signal that these women are actually prostitutes who…
Pather Panchali (1955)
Satyajit Ray changed cinema, an undeniable fact that has its basis in his ability to represent life in a way that very few other artists were ever able to. A creative soul that never avoided taking on a few challenges with his work, he was perpetually venturing into the realm of the unknown, pioneering an…
Bell, Book and Candle (1958)
In the canon of great moments in cinema, it doesn’t get more iconic than the image of James Stewart and Kim Novak, atop an impossibly high building, caught in an embrace that functions as both an expression of passion and a cautionary prevention from falling to their death. This is taken from the incredible Vertigo,…
I Care a Lot (2021)
Marla Grayson (Rosamund Pike) has certainly built quite an empire for herself, and amassed a level of comfortable wealth of which many would normally be nothing but envious. However, her procedure for reaching this point are far from conventional, since she is in a line of work that allows her the freedom to secretly assert…
Postcards from the Edge (1990)
On occasion, it happens that a few particular names are gathered and thrown together into the creation of a film, which ultimately becomes something worth seeing based solely on the involvement of certain individuals. Any devotee to cinema should be suitably curious about the possibility of seeing director Mike Nichols, writer Carrie Fisher and performers…
Bringing Up Baby (1938)
Recently, I’ve been reviewing an array of films that occupy a range of genres, stating that while they may all be admirable efforts, they’re not the definitive texts on either their subject matter, or the genre they’re operating in. However, today the discussion will be on a film that very much a defining work, and…
Real Life (1979)
In his capacity as a beloved comedian and well-regarded actor in both lighter and more serious fare, Albert Brooks is quite an enduring presence that may represent a particular time in the culture, but still remains quite a significant figure. However, it seems as if his time as a film director has been essentially forgotten…
The Postmodern Pelican 