There’s something quite peculiar about The Heroics (French: Les héroïques), a particularly off-kilter quality that persists throughout the film. Perhaps it’s the tone, which oscillates between hilarious and tragic with very little difficulty, often in the same scene. It could possibly be the narrative, which is about as meandering as the main character’s life. The…
Tag: review
The Amateur (2025)
Revenge certainly is a dish best served cold – there have been countless works across every conceivable artistic medium about the idea of seeking those who wronged you in an effort to force them to pay for their wrongdoing. Entire sub-genres have been created on this topic, and it has been one of those universally…
Our Teacher Jabish (1969)
The continued endeavour to explore global cinema, particularly looking at films that contain some sense of comedy, has opened entirely new avenues of artistic expression, and provided some fascinating insights into how different cultures at various points in history tell their stories on screen. Azerbaijan has a solid cinematic culture, albeit one that is mostly…
Welcome to Sarajevo (1997)
A brief word of warning, or perhaps just a cautionary tale – if you find yourself on the eve of travelling to a specific city, and decide that it would be a good opportunity to watch one of the most famous films set in that particular location in the hopes of getting a better understanding…
Mister Organ (2022)
It seems that every time I discuss a film that focuses around conspiracies or investigations around the ambiguities of everyday life, Thomas Pynchon’s famous quip in Bleeding Edge that “paranoia is the garlic in life’s kitchen – you can never have too much” comes into the conversation at some point. Perhaps overused, it is still…
The Dig (2021)
There isn’t any “one size fits all” approach to making your way through life – everyone is on their own journey, and tends to be given specific opportunities to better their situation or blessings that help them achieve something that separates them from the rest of society. In many cases, these tend to be concealed,…
When Fall Is Coming (2025)
There’s nothing quite like a mother’s love for her children – and in his most recent directorial outing, François Ozon explores this concept (which he has touched on in the past, making it one of his more frequent themes) by way of When Fall Is Coming (French: Quand vient l’automne), a film that follows Michelle,…
Scarred Hearts (2016)
As far as contemporary filmmakers go, few are genuinely exciting as Radu Jude, whose rise from acclaimed but obscure Romanian auteur to arthouse darling who has decided to redefine what cinema represents has been nothing but extraordinary. My own admiration for his work is certainly well-documented, and he continues to be such a surprising and…
The Blob (1958)
There is a misconception that art, particularly cinema, becomes better as time progresses and new developments emerge, since many believe that having access to cutting-edge technology and more expansive resources somehow equates to quality and artistic merit. While this may be true in a few cases, no film has ever truly benefited primarily from an…
Dance First (2023)
The act of paying tribute to some cherished artist or public figure in the form of a film is a pretty challenging endeavour, particularly because it requires a writer or director to stand at a structural crossroads, choosing their preferred approach to examining their life’s story. Do you explore it from start to finish (the…
The Postmodern Pelican 