Most artists lend themselves to discussions that have a clear beginning, middle and end – it’s only logical to provoke audiences into linearly viewing their work. Yet, there are some to which this principle cannot be applied, because their work is too abstract and offbeat to be subjected to the same trite approach. Bertrand Bonello…
Tag: movies
One of Them Days (2025)
They say friends are the family we choose – and just like family, they have a tendency to get on our nerves from time to time, as is the case with any kind of relationship, with the most meaningful usually being those that are built from a combination of love and frustration. This idea is…
Flowers in the Attic (1987)
As has often been said, blood is thicker than water – but it’s certainly equally true that it’s usually your family that can do the most harrowing damage to one’s psyche. Hopefully, very few of us felt the betrayal and abandonment of an unloving domestic situation, but unfortunately, they do exist and can heavily influence…
Timestalker (2024)
Originality is such a valuable commodity in contemporary cinema, particularly because it seems so elusive – it has always seemed slightly unnerving the degree to which the industry relies on existing properties rather than embracing the potential of discovering some new, untrodden artistic concept or style. Yet, there are still some filmmakers who are firm…
Presence (2025)
There was some discourse recently about the best filmmakers who don’t have a single masterpiece to their name, a sign of someone being technically gifted and a solid authorial voice but who has struggled to establish themselves as having at least one work that carries their legacy. One of the names that came up in…
I Know What You Did Last Summer (1997)
Horror is a genre that is constantly changing. If we arrange its development in as much of a linear form as we can, it is possible to see the ebb and flow of certain concepts and styles in terms of popularity and how artistic innovation influenced so many different phases of a genre that has…
The Second Act (2024)
While his work is divisive to the point where calling them an acquired taste would be enormously generous, it’s impossible to deny that Quentin Dupieux (otherwise known as Mr Oizo in some circles) is a filmmaker who has grown into one of the unique artistic visionaries of his generation and has continuously worked to redefine…
Handling the Undead (2024)
Saying goodbye to a loved one is never easy, and we often find that it is made more difficult when we feel that sense of deep regret for all that we didn’t say and do when they were alive, knowing that we are going to be burdened with that remorse for the rest of our…
Mauvais Sang (1986)
An enigmatic young man runs down the street – we can’t tell if he’s overcome with joy or panic, and the use of David Bowie’s “Modern Love” doesn’t make his state of mind any more clear, and only creates more dissonance between the tone and what is being asserted in this particular moment. Yet, despite…
Big Boys (2024)
At some point, we all experience some kind of awakening in various forms, where we suddenly realize where we fit into this confusing and challenging world, and take the necessary steps to integrate ourselves into our respective niches or communities, should they be available. For some, this is a smooth process in which one slides…
The Postmodern Pelican 