There are few artists whose minds I’d love to enter and just explore for a couple of horrors more than David Cronenberg, who has built an entire career out of being a beloved menace to the art of filmmaking, a medium that he has both celebrated and dismantled with his unique and offbeat approach to…
Tag: horror
You’ll Like My Mother (1972)
One of the great joys of exploring cinema is that sometimes you come across a film that had previously never been on your radar, but once it catches your attention, it feels like a revelatory moment. Whether through a recommendation from a trusted voice or simply stumbling upon a film by accident, it can be…
The Shout (1978)
There are many qualities about the work of Jerzy Skolimowski that capture our attention, but none of them is as notable as the fact that he seems impossible to pin down to a particular style, and over the course of a career that has lasted over half a century, he has seemingly evaded making the…
Undertone (2026)
There are many ways to look at horror and why it is arguably one of the most successful genres when it comes to fiction, regardless of the medium you are looking at it through. Whether a visual medium like film or television, or in the written form, there have been some incredibly influential works constructed…
Sanatorium Under the Sign of the Hourglass (2024)
“Reality is as thin as paper and betrays with all its cracks its imitative character” – these evocative words were written by Bruno Schulz in the late 1930s, and while the concept may not have existed in its entirety at the time, many scholars of postmodernism cite this as one of the most notable examples…
The Wasp Woman (1959)
When the history of cinema has been set in stone, and it comes to choosing the people who had the most substantial input on the medium, there are going to be various names floated as the defining filmmakers of their generation, with additional credit being given to those who transcended generational boundaries and made an…
Burn, Witch, Burn (1962)
If given the opportunity to give our loved ones the best chance of success and eternal protection, the vast majority of us would not even consider hesitating. The idea of being able to ensure those closest to us achieve everything they desire is very tempting, even if we know it isn’t within our power to…
We’re No Angels (1989)
The boundary between right and wrong can sometimes be so narrow that even the most principled and straight-laced of individuals can find themselves on the wrong side of the law. None of us is entirely immune to making mistakes, and we have come to realise that society is not necessarily designed to protect the rights…
Harvest (2025)
History tends to be presented to us in a form that is either nostalgic or heroic – whether it’s the valour of soldiers on the battlefield, or the beauty of the simpler existences lived by those in a time when we weren’t so preoccupied with modern problems. What we don’t often see – and for…
Good Boy (2025)
Recently, acclaimed Italian filmmaker Alice Rohrwacher commented on silent cinema, calling it “a completely different medium of expression”, which can be interpreted in a few different ways. However, something that does become very relevant when we look at it as a medium in isolation from sound cinema is that words are not always necessary, since…
The Postmodern Pelican 