Author’s Note: As mentioned in the previous review, this is part of a four-part series in which we are looking at Wes Anderson’s short films based on various works by Roald Dahl. While these reviews are as independent of each other as the films, they still exist in dialogue with one another, so for the…
Corsage (2022)
“She is like a book to me, a riddle on each page. Her soul is like a chaotic museum, full of treasures that cannot be exploited. She doesn’t know what to do with all that. She lives in a different world, where she is walking a path so narrow, that only one person can walk…
The Swan (2023)
Author’s Note: This review is part of a four-part series in which we are discussing Wes Anderson’s recent quartet of short films based on the work of Roald Dahl. While these reviews are as independent of each other as the films, they still exist in dialogue with one another, so for the sake of consistency,…
Murder by Death (1976)
One of the great literary fallacies of the past few centuries has been the belief that everything needs to make sense – it is a concept that has driven the vast majority of literature across every conceivable medium, with the general guideline being that everything needs to be resolved neatly and without any sense of…
The Wonderful Story of Henry Sugar (2023)
There are few combinations of an author and director more appropriate than Roald Dahl and Wes Anderson – both are incredibly popular artists with a distinct style and an enormous legacy, as well as a devoted group of supporters who swear by their work. Despite being from entirely different times and not having any artistic…
Nothing Sacred (1937)
The term “revolutionary” is often used too frequently to refer to films that are only mildly impactful – anytime a director does something slightly different or ahead of their time, they are immediately labelled as being a pioneer, which can sometimes be a decent way to immortalize their legacy (especially amongst those that are not…
Bottoms (2023)
There are generally two kinds of directors who find themselves making a film that proves to be quite successful – there are those who choose to rest on their laurels to an extent, making films within that wheelhouse based around the idea of finding their niche and maintaining it, particularly when it comes to genre…
Spaceballs (1987)
There came a point when Mel Brooks, who has always been a beloved comedy icon for well over half a century, seemed to finally reach the point where his work was not at the same level as it used to be – this is often the case with artists who are more inclined towards comedy,…
Talk to Me (2023)
It seems that at least once a year, we find ourselves in a situation where a film is being sold under the deadliest five words any work can ever hope to have attached to it: “the scariest film ever made”, which is a term that is thrown around with such immense recklessness, it has essentially…
Murder in Harlem (1935)
There are very few directors who have made as much of a cultural impact on cinema as Oscar Micheaux, a filmmaker who embodies the very spirit of the term revolutionary, both in his worldview and artistic expression. Yet, his legacy has only started to be appreciated as more than just a footnote in discussions around…
The Postmodern Pelican 