“I wonder, will we really be able to, in dozens of years, to laugh and shed senile tears over these days? Then the earth will swallow us up, and our names will be obscured with fog” There are many ways to describe An Unfinished Piece for Mechanical Piano (Russian: Неоконченная пьеса для механического пианино) –…
Three Colours: Blue (1993)
When he set out to make his bold trilogy of films that touched on the human condition, Krzysztof Kieślowski was quite right in realizing that the path towards this isn’t through overly ambitious explorations of every aspect of our existence, but rather intricate, intimate dramas that centre on ordinary people living their lives and coming…
Dick Johnson is Dead (2020)
Death is inevitable – this is a fact we all learn quite early on in our lives, and it’s something that we all have to come to terms with in some way. However, this hasn’t stopped countless people throughout history from attempting to delay death in some way – whether through trying to prolong their…
Pigs and Battleships (1961)
You can’t ever accuse Shohei Imamura of not delivering precisely what he promised throughout his career. When venturing into a film with the striking title of Pigs and Battleships (Japanese: 豚と軍艦), you’d easily be forgiven for thinking this is somewhat allegorical, functioning as a metaphorical reference to something embedded in the film. The surprise that…
Hocus Pocus (1993)
I recently wrote about revisiting Barry Sonnenfeld’s adaptations of The Addams Family for the first time since I was much younger, and what wonderful experiences they were, especially since they hold up so wonderfully all these years later, so the nostalgia is not misguided or ill-conceived. Conversely, I had a look at Hocus Pocus again,…
Too Late Blues (1961)
The trouble with trying to work through the careers of your favourite artists is that you’re bound to find some failures here and there, which can be quite a disconcerting experience if you’re not careful. This applies very heavily to John Cassavetes, a true iconoclast of independent cinema, so much that his early career was…
Short Cuts (1993)
Robert Altman didn’t make films so much as he did weave intricate tapestries of the human condition. Some of his best-known work as employed the principle that each person has their own story worth telling, and that when put alongside each other, we can get glimpses into sides of our species that aren’t often seen…
Paris Belongs to Us (1961)
As one of the most insightful and thought-provoking directors of his era, there’s never a bad time to celebrate Jacques Rivette, whether looking at some of his towering masterpieces, or the works that have somewhat been neglected over time. If we launch ourselves right to the beginning of his career as a filmmaker, we see…
The Age of Innocence (1993)
Martin Scorsese is something of an enigma, which is certainly a new way to look at an artist who has come to be seen as one of the definitive voices in the history of cinema. He has somehow managed to both perfect certain genres, which have often come to be his most distinctive, as well…
Dog Eat Dog (2016)
What do you get when you combine Nicolas Cage at the peak of his descent into over-acting (and his gradual realization of his reputation, and the subsequent relishing in it), Willem Dafoe at his most excessive and Paul Schrader’s unhinged vision of crime and violence? The answer is Dog Eat Dog, the bewildering dark comedy…
The Postmodern Pelican 