I’ll start with a bold statement – Wild Indian is one of the year’s best films, and yet very few people seem to be talking about it. The film, which is the feature-length directorial debut of Lyle Mitchell Corbine Jr., is one of the many fantastic works produced by and within the Native American community,…
Category: thriller
Dial M for Murder (1954)
There are many distinctive signs of a great director – whether it be a strong visual style, the ability to extract strong performances from their actors, or just the general skillfulness needed to entertain an audience. My personal belief is that any talented director should be able to take a strong script that contains only…
Rear Window (1954)
By the time he reached the middle of the 1950s, Alfred Hitchcock was already undeniably a well-established filmmaker who had easily earned his place in the canon of great cinematic artists. No one had been able to make films that were both as artistically-resonant and profoundly mainstream as him, which is essentially what has kept…
To Catch a Thief (1955)
Some of our more recent discussions on Alfred Hitchcock have been focused on a few of his more atypical productions, such as the dark and gritty The Wrong Man, or the hilariously irreverent romantic comedy The Trouble with Harry. However, as much as it is fascinating to look at the esteemed director’s attempts to be…
The Lodger (1944)
It is almost impossible to tell a story set in Victorian-era London without addressing the existence of the notorious Jack the Ripper, the serial killer who lurked the dimly-lit alleys and streets of 19th century England, preying on weak and helpless women who are unlucky enough to cross his path. Despite his complete anonymity, he…
Death of a Cyclist (1955)
A secluded patch of road somewhere in the idyllic countryside is suddenly the site of a major collision between a car and a cyclist, with the former striking the latter, causing an enormous accident. The occupants of the car are concerned about having possibly killed the cyclist, but decide they can’t stick around to find…
The Man Who Knew Too Much (1956)
As one of the greatest filmmakers to ever work in the medium (not a revolutionary opinion, but rather very close to an objective fact), Alfred Hitchcock’s career is filled with a wide array of films of varying quality. What is most interesting is that even lower-tier Hitchcock films are still absolutely worth watching, with very…
The Wrong Man (1956)
Breaking from tradition was not always Alfred Hitchcock’s speciality, particularly in the subversive little quirks that defined his films. Regardless of how strange and bewildering his stories were, all of his films were distinctly his own. This required director himself to appear before the start of The Wrong Man, speaking directly to the audience as…
Beasts Clawing at Straws (2020)
A faux-Gucci bag filled with money, half a dozen eccentric characters, an abundance of violence and the good sense to weave it all together are the essential components of Beasts Clawing at Straws (Korean: 지푸라기라도 잡고 싶은 짐승들), the deliriously funny and perverted dark comedy by South Korean filmmaker Kim Yong-hoon, who crafted one of…
Man on the Tracks (1957)
Many film scholars have provoked the idea of a Polish New Wave, a movement that represented a seismic shift in the cinema of a country that was hit quite hard by the burden of communism, on the same level of a number of other USSR-aligned countries. Yet, it has been questioned whether the films produced…