When it comes to discussing films that take a very strange approach to their premises, The Housemaid (Korean: 하녀) sits perched comfortably at the very top. It is the apex predator of psychological thrillers of its era, an intrepid meta-commentary on social issues that boldly goes where very few films would dare to go, especially…

A young man (Peter McEnery), who is mostly known as “Boy” Barrett receives a tip-off that the police are after him. He recently stole a large amount of money from his employers, which the authorities believe was to fund his lifestyle. What they don’t realize is that his reason for committing the crime was far…

Amy (Kate Lynn Sheil) has a small problem – she is going to die tomorrow, or at least she thinks she is. A recovering alcoholic, her friends attribute these thoughts to a relapse, which she vehemently denies, being steadfast in her belief that she’s going to meet her demise the following day. Her best friend…

Samuel Fuller’s status as one of the most divisive filmmakers to ever work in the medium is certainly not unearned – a great deal of his work consisted of complex character-studies that were socially-charged and executed with a perceived lack of subtlety, which ultimately makes them either fascinating works of powerfully rugged artistry or imperfect…

Charade has absolutely no business being this brilliant, which seems to be par for the course when looking at the films of Stanley Donen, one of Hollywood’s most exceptional filmmakers who was rarely given the rapturous acclaim he deserved. Most likely the result of the early years of his filmmaking career consisting of contract work…

The Savages are an ordinary couple resides in an unassuming house in London, where Myra (Kim Stanley) works as a medium, conducting weekly séances for a variety of people who come from far and wide to sample from her apparent brilliance. Her husband, Billy (Richard Attenborough) struggles to keep his wife under control, with her…

When you’re looking at someone whose output was as varied and prolific as Alfred Hitchcock, one tends to create tiers – and considering he is perhaps the greatest filmmaker to work in the English language, there are quite a few masterpieces littered throughout his career, as well as a few failures. Marnie is somewhere in…

Michael Armstrong (Paul Newman) and his fiancée Sarah Sherman (Julie Andrews) find themselves on a luxurious vacation in Northwest Europe, staying in some of the most luxurious hotels and eating at the most expensive restaurants money can buy. The caveat is that Michael is a world-renowned physicist and an expert on nuclear warfare, having been…

The thriller genre is one that often appears to occur on something of a binary scale, much like horror, its closest generic cousin – it is either derivative and plays upon a set of preordained ideals, or it is thoroughly unique, either having a highly original premise or an audacious execution to some more common…

Wynne (Jenny Agutter) is a precocious young woman whose personality reflects someone far older than her mere fifteen years. The adopted daughter of a working-class family, she is deeply in love with George (Bryan Marshall), her much older adoptive brother, whose mysterious attitude makes him even more irresistible to Wynne, who finds herself taken by…