When the subject of “The Lubitsch Touch” is discussed, there are a few elements that immediately spring to mind. Primarily, it is the image of a well-crafted, meaningful film that combines romance and drama, produced during the Golden Age of Hollywood, but feels profoundly modern, perhaps not in its setting, but rather in its refreshing…
Category: Romance
The Goodbye Girl (1977)
No one wrote characters quite like Neil Simon – whether in his plays or the original screenplays he worked on during the peak of his career, his work was always filled to the brim with wise-cracking, urbane characters plucked directly from the mind of a writer who perhaps knew the art of creating memorable characters…
Angel (1937)
As is often the case with filmmakers that define an entire era of cinema, it is difficult to choose the standout in a director’s career when nearly everything they make has some incredible artistic relevance, so much so that it becomes a challenge to even compare their greatest works, since they are all magnificent and…
The Mirror Has Two Faces (1996)
While she is undeniably one of the biggest stars to ever exist in the expansive entertainment industry, opinions on Barbra Streisand tend to vary, with some being put off by her reputation for being one of the most compulsive and forthright entertainers of her generation, while others adore her for it. Some may call Streisand…
The Animal Kingdom (1932)
If there was ever an era in which filmmakers in Hollywood were active in their efforts to take risks, it would be during the brief period known as the Pre-Code era, which may not have been as driven by the “anything goes” mentality with which some seem to assume defined this period, but still had…
Rye Lane (2023)
New filmmakers emerge every year, and while it is always heartening to see that the medium is going to be left in good hands after the old masters transition out of the industry, it isn’t often that we find someone who is so indicative of the future of cinema to the point where just watching…
The April Fools (1969)
If there is a subject Hollywood adores more than people falling in love, it is the process of falling out of it, which has been the starting point for several engaging and fascinating films over the course of the past century. Naturally, in its earliest years the idea of marital trouble or relationships being on…
A Touch of Class (1973)
Infidelity is rarely funny, and in the rare instance that it is the source of a comedic romp, it often carries with it a sense of needing to rationalize what would drive characters to engage in sordid extramarital affairs – whether it be portraying their married life as one of dull and listless convention (as…
I Know Where I’m Going! (1945)
One of the universal truths that we should all come around to believing is that, regardless of how much we try and attribute their films to being the product of style over substance, Michael Powell and Emeric Pressburger were masters of their craft. Whether or not we find value in the spectacles of Black Narcissus…
Bones and All (2022)
“The world of love wants no monsters in it, so let me help you out of it.” What defines a monster? Is it physical deformity that separates one from the rest of society based on traits that terrify rather than attract? Could it be behaviour that goes against common social and cultural standards and places…