Recently, acclaimed Italian filmmaker Alice Rohrwacher commented on silent cinema, calling it “a completely different medium of expression”, which can be interpreted in a few different ways. However, something that does become very relevant when we look at it as a medium in isolation from sound cinema is that words are not always necessary, since…
Category: Horror
The Bride! (2026)
As far as horror cinema goes, there are few works quite as iconic and important as The Bride of Frankenstein, which could legitimately lay claim to being the greatest entry in the genre’s history. This film has remained as compelling and intriguing to this day as it was when it was released over ninety years…
Alpha (2025)
There are countless ways to explore grief in art, which reflects the fact that there isn’t any singular guide to grieving, and that we all process loss differently. Some of the most compelling and intriguing works have been produced by those who attempt to explore the world through the eyes of someone who is mourning,…
The Ugly Stepsister (2025)
When speaking about what precisely drew her to build a career out of revising classic fairytales by rewriting them as more challenging, mature works (as evident by her timeless masterpiece The Bloody Chamber), Angela Carter essentially described her process as being one of taking these stories shared across generational and geographical boundaries, and underlining that…
The Toxic Avenger (2025)
When it comes to independent horror, you cannot ignore the enormous effect Troma had on the industry. Despite being populated by filmmakers and producers who were considered vulgarians on the best of days, and lacking any real support, leading to many artists being forced to make their films on nothing but spare change and their…
Bring Her Back (2025)
These days, it seems to be impossible to find a work of horror that doesn’t market itself as some intense, cerebral experience that will disturb viewers long before it even begins to entertain them. It seems like the entire genre has shifted towards trying to find the most disturbing and unsettling way to tell a…
The Gorgon (1964)
The phrase “they don’t make films like they used to anymore” is a hackneyed concept usually brought out to disparage contemporary works, which are often unfairly compared to those of yesteryear, particularly by people who tend to look at previous decades through rose-tinted glasses. Yet, there are some genres where this phrase is not only…
They Live (1988)
The general principle behind satire is that it needs to occupy one of two extremes – either, it needs to be subtle enough that we don’t realize what is being conveyed until a crucial moment in which we encounter some major revelation, or it needs to be so glaringly obvious that there is never any…
Weapons (2025)
We’re living in an era where horror has finally become one of the most esteemed, respected genres – the days where it was viewed as merely a secondary genre to the melodrama and western are thankfully far behind us, even if we do find some of the passion directed to the dreadfully trite concept of…
Bad Taste (1987)
Years before he came to be seen as the very definition of tenacity in the form of his endeavour to adapt the titanic novel The Lord of the Rings, Peter Jackson was a lesser-known New Zealand filmmaker who simply wanted to direct stories that interested him, paying tribute to existing genres while forging his own…
The Postmodern Pelican 