Record of a Tenement Gentleman (1947)

You simply can’t look at the work of Yasujirō Ozu and not discuss the impact of the Second World War on the stories he told. He was a filmmaker that may have rarely addressed the war directly, but rather crafted stories that were situated around the time, focusing on the social and cultural changes brought…

Fearless (1993)

Art has always been interested in examining a few fundamental themes – love, death, family and the meaning of life are essentially the main ideas that have persisted for about as long as art has been produced, regardless of the medium. We can group these themes under the general category of the human condition, which…

Chameleon Street (1989)

How does one begin to describe William Douglas Street Jr. in a way that makes sense? Perhaps the first person we should ask is “The Chameleon” himself – but it’s very likely he’d not be able to answer it either, since his entire life has seemingly been committed to taking on numerous personalities, all of…

The Cathedral (2022)

It was the great photographer Diane Arbus who said “a photograph is a secret about a secret. The more it tells you the less you know”, which she used to describe her approach to photographing the various people who agreed to be her models as she traversed the streets of her native New York, taking…

Nobody’s Fool (1994)

We all know someone like Donald “Sully” Sullivan – a person whose fierce rebellion against anything that even vaguely suggests that they are on the older end of the spectrum becomes almost their entire personality, which makes them both frustrating and endearing individuals. This is the stock character that occupies Robert Benton’s exceptional Nobody’s Fool,…

Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean (1982)

In terms of artistic icons that left behind an indelible legacy in the global culture, there are few more notable than James Dean, whose tragic demise at the age of only 25 signalled one of the most distinct movements towards idolizing an actor, one not seen since perhaps the death of Rudolf Valentino at the…

A Patch of Blue (1965)

When you first take a look at A Patch of Blue, you’d be forgiven for thinking it to be yet another run-of-the-mill “message” movie, a film that deals with social issues in a way that may be earnest, but it also often overwrought with how it discusses some very important topics. Guy Green was not…

Gods and Monsters (1998)

The Golden Age of Hollywood is filled with stories of the fascinating individuals that made it such a curiously interesting time to be alive, allowing future generations to live through these often scintillating (and sometimes even vaguely implausible) parables that are often told through rose-tinted glasses, almost as if to imply the industry was far…

A Hen in the Wind (1948)

There are some that consider A Hen in the Wind (Japanese: 風の中の牝鶏) to be one of the more minor efforts in the notoriously prolific career of Yasujirō Ozu – and while it is easy to adhere to this belief based on the scope of the film (considering how this was the final film he made…

Spring in a Small Town (1948)

Nothing signals tenacity more than a filmmaker doing whatever possible to get their film made. This is applicable to Fei Mu, whose film Spring in a Small Town (Chinese: 小城之春) was a labour of love in every definition of the term. Not being given much resources on which to construct this film, and seemingly being…