The past few years have not been easy for Hildy Good, the protagonist of The Good House, the delightful and captivating adaptation of Ann Leary’s peculiar novel, which tells the story of a formerly successful real estate agent who proudly calls herself the North Shore’s top broker and has made many life-long friends along the…

When looking at the new wave of independent films made by young American directors that started in the 1990s, we tend to gravitate towards the likes of Quentin Tarantino and Paul Thomas Anderson as the most pertinent examples of the rambunctious talents that traded audacity for the chance to make films inspired by their own…

There isn’t a clear set of criteria with which we can judge a filmmaker and determine whether they are objectively good at their chosen vocation, since there are too many variables to consider before we even start constructing such a rubric. However, there are certain qualities that every filmmaker, regardless of background or style, needs…

It is necessary to start this review with a disclaimer. Unfortunately, one of the reasons behind Uptown Saturday Night being relatively under-discussed in recent years has to do with the fact that this is a buddy comedy, in which one half of the central duo is played by someone who has deservedly fallen out of…

Faith is a fascinating concept – few ideas have divided the population for centuries more than religious belief, especially the kind of blind faith that many religions are impelled to portray, which has led to many cynical conversations about how one can believe in something that is not tangible. However, it has also created a…

There’s something so appealing about comedies produced during the Golden Age of Hollywood, particularly those made in the Pre-Code era, a time in which artistic expression within the film industry was driven by the simple but effective adage of “anything goes” – and few films demonstrate this with more elegance or nuance than Kansas City…

There’s nothing quite like the world of television – those omnipresent boxes that have become the source of both comfort and frustrations in the homes of viewers across the globe, serving the function of providing both entertainment and an insight into the real world. There are sometimes instances where there is an intersection of the…

While we may have a long way to go, when it comes to the subject of inclusion and diversity, it is wonderful to look back and see how far we’ve come as a collective culture. There is still a lot of work to be done, but a lot of the world is starting to become…

Films about writers are about as effective as books about filmmaking – they’re only good to a certain extent, since there is an inherent challenge in cross-medium interference, whereby looking at one through the lens of the other can sometimes be a bit difficult. However, when they work, it can sometimes be extraordinary, especially when…

Despite having both critical and commercial success over the course of a few decades, Cameron Crowe remains one of the more polarizing filmmakers working today, specifically because he seems to lack a certain panache that makes him interesting. He had radical successes with Jerry Maguire and Almost Famous, so much that he was essentially given…