I believe if there is something that we can all agree on to a certain extent, it would be that the prospect of death isn’t the most exciting or comforting concept for many of us. This is a subject that Herbert West has been actively pursuing, suffering the obstacle of being expelled from medical school…
Author: The Postmodern Pelican
The Hand of God (2021)
Paolo Sorrentino loves roads. In nearly every one of his films, characters undergo a variety of journeys, whether it be physical, mental or spiritual. There is something about the idea of undergoing a shift, either in location or mentality, that drives several of his films. As the ancient adage goes, “all roads lead to Rome”,…
Welcome Mr. Marshall! (1953)
As a filmgoing culture, we were so fortunate to have someone like Luis García Berlanga, who dedicated so much of his life to making wonderful, insightful comedies that tell us as much about the culture in which he grew up as they did the most intricate details of the world at large. You can always…
Spencer (2021)
There have been so many attempts at bringing the life and times of Diana, Princess of Wales to the screen – the ill-fated biographical drama starring Naomi Watts, the celebrated interpretation by Emma Corrin on the television serial The Crown, and even a stage musical that has become something of a minor sensation amongst those…
Housekeeping (1987)
We need to talk about Bill Forsyth more, at least in terms of giving him the attention that he has been deserving of for the last four decades. The creative mind between some of the most lovable comedies of the 1980s, the director made a profound impact without many even knowing his name. This is…
My Father Is an Airplane (2021)
Throughout her fascinating drama that she adapted from her own semi-autobiographical novel, My Father Is an Airplane (Dutch: Mijn vader is een vliegtuig), director Antoinette Beumer tells quite a captivating story about the relationship between a daughter and her father, especially in the days after the death of another family member (specifically their mother and…
Tokyo Story (1953)
The trouble with notoriously prolific directors is that it’s often difficult to discern what their best film may be, since they usually direct at such a rapid pace, and end up producing many great films. However, when it comes to Yasujirō Ozu, it couldn’t be easier to answer this question. Tokyo Story (Japanese: 東京物語) is…
Stop-Zemlia (2021)
Growing old isn’t a challenge, but growing up certainly is, which is perhaps the most succinct way to describe Stop-Zemlia (Ukrainian: Стоп-Земля), a powerful social drama written and directed by Kateryna Gornostai (in her feature-length directorial debut), who tells the story of a close-knit group of high school students in working-class Ukraine, following them as…
On the Waterfront (1954)
On the Waterfront has been so omnipotent in discussions around its importance in film history, it’s easy to forget how excellent it actually is, beyond the very obvious qualities that have made it one of the true classics of the Golden Age of Hollywood. Perception is divided on whether to celebrate what Elia Kazan did…
All About My Mother (1999)
There aren’t too many artists who possess the gall and audacity to go by a single name and still be entirely recognizable, and respected almost entirely on the merit associated with such a mononym. It suggests an overt confidence that can sometimes be mistaken for arrogance on some occasions – yet, when settling into a…