How do you begin a conversation about Eo without simply collapsing into a state of complete psychological despair? This is one of the many questions that anyone endeavouring to discuss the ambitious drama written and directed by the legendary and highly influential Jerzy Skolimowski has to face when confronted with the abundance of emotions contained…
Author: The Postmodern Pelican
The Day Has Gone (1968)
Watching a film made by a pioneer of a specific kind of movement or national cinema is always a compelling experience, since it allows us to see a different side of the filmmaking process, as well as gives insights into the challenges these directors tend to face. Márta Mészáros is one of Hungary’s most celebrated…
Vampire’s Kiss (1989)
Vampire’s Kiss is a film that is so outrageous and satirical, that merely trying to describe it without resorting to hyperbole seems almost impossible. The film, which was written and directed by Robert Bierman, is the kind of story that both repels and intrigues the viewer, often doing so at the exact same time. The…
Spellbound (1945)
The pleasure of being a completionist when it comes to certain artists is that it allows you to pay attention to smaller works that you might otherwise ignore due to them being overshadowed by the more major achievements. I’ve been gradually working my way through the work of Alfred Hitchcock, and while it has been…
The Whale (2022)
Every few years, there is a film that comes along that is so striking and ambitious, the process of leaving the cinema is nearly impossible, whether it be the result of awe-inspired wonder, or the abundance of emotions that wash over the viewer. The Whale was a very difficult film to walk away from –…
Fancy Pants (1950)
There may be many different forms of humour, but comedy has always been driven by a few major tenets, with every work that sets out to provoke some form of laughter following either one or a combination of these concepts. Mistaken or false identities have always been a very reliable source of humour, going back…
Peter von Kant (2022)
They say imitation is the most sincere form of flattery – but for François Ozon, it has never only been about paying tribute to his artistic heroes, but infusing his films with a celebratory spirit that vividly praises their work, getting to the heart of what makes each one of them such important influences in…
Switching Channels (1988)
They say imitation is the finest form of flattery – but when you outright piggyback off the success of another work of art in order to try and glean some of that acclaim, then there is a conversation to be had about the ethics of taking inspiration from other projects. Broadcast News is one of…
Desperate Characters (1971)
It’s often been said that in order for a story to be effective, all one needs is a single location, a pair of good actors and a strong script that gives them something to do. It’s the foundation for a lot of theatre, and as a result has inevitably found its way into cinema as…
The Stepford Wives (2004)
It’s high time that we start the critical re-evaluation of The Stepford Wives, the remake of the undersung New Hollywood classic that has often been dismissed as a paltry attempt to recreate the magic of the original. Frank Oz is a director that many of us have learned to put absolute faith in – his…
The Postmodern Pelican 